Thursday, February 10, 2005
I've posted numerous articles about karaoke & pointed out that despite the wholesomeness (people shooting each others brains out the moment they hear 'and now the end is near' doesn't count), its never without its fair share of politics. Here's an amusing story.
This Indian guy by the name of Dennis is a karaoke addict & frequents a lot of joints. Not only is he horrible but has this habit of putting in 10 obscure songs & complains if he doesnt get up & sing all of them, no matter how busy the place is. In short, he is a wanker. Anyhow, he was at his usual Thursday gig. This karaoke pub is not the place to sing ballads as most patrons are youngish & they love their grog. Try singing 'Three Times A Lady' in front of a rowdy bunch of people and you'll see what I mean. Dennis sang 'Breakfast At Tiffanys' at an annoying key so the KJ (karaoke jockey) decided to increase the tempo a bit. Naturally, since Dennis cant sing, it got worse cos not only was he singing off key but out of sync with the beat. He realized that some people were hissing so he chucked the mic & argued with the KJ calling him an 'Aussie bastard'. A heated argument ensued to the point that Dennis brought up the race factor calling the KJ a Neo-nazi. The KJ got fed up & called security, consequently barring Dennis on all his shows. Dennis brought up the issue on this where2sing.com website threatening legal actions not only on the KJ but also the website owner for spilling the story (without naming names). The issue died down a bit but the story circulated not only at Sydney karaoke bars but the whole of Australia.
I've known this clown for 3 years & although I have no issues with him (I dont mind people who cant sing for shit cos I'm not that great either), I've noticed that he has worn out the patience of a lot of KJs with his incessant whinges about a) not getting enough songs b) people singing ahead of him c) wrong key d) unupdated songlist. I went to Menzies hotel last night where he's one of the regulars & he was absent. Probably he was disgusted with how people didn't give a toss about the apparent 'racism' or maybe he was too embarassed. While the Sydney karaoke scene lost one of its 'characters' that also means that 4-5 or even 10 available slots for those who, like Dennis loves to sing as many songs as they can.
posted by uging |
5:58 PM
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| Weekly Top 10: Fave George Benson & Al Jarreau tracks |
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10.Lady Love Me One More Time
9.Feel Like Makin Love
8.20/20
7.This Masquerade
6.Love Times Love
5.Turn Your Love Around
4.Were In This Love Together
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| Musical heroes: Def Leppard |
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Def Leppard, in many ways, was the definitive hard rock band of the '80s. There were many bands that rocked harder, and were more dangerous, than the Sheffield quintet, but few others captured the spirit of the times quite as well. Emerging in the late '70s as part of the New Wave of British Heavy Metal, the group actually owed more to the glam-rock and metal of the early '70s — their sound was equal parts T. Rex, Mott the Hoople, Queen and Led Zeppelin. By toning down their heavy riffs and emphasizing melody, Def Leppard were poised for crossover success by 1983's Pyromania, but skillfully used the fledgling MTV network to their advantage. The group was already blessed with photogenic good looks, but they also crafted a series of innovative, exciting videos, which made them into stars. They intended to follow Pyromania quickly, but were derailed when their drummer lost an arm in a car accident, the first of many problems that plagued the group's career. Def Leppard managed to pull through such tragedies and they even expanded their large audience with 1987's blockbuster Hysteria. As the '90s began, mainstream hard rock shifted away from Leppard's signature pop-metal and towards edgier, louder bands, yet the group maintained a sizable audience into the late '90s and were one of only a handful of '80s metal groups to survive the decade more or less intact.
Def Leppard had its origins in a Sheffield-based group Rick Savage (bass) and Pete Willis (guitar) formed in their late teens in 1977. A few months later, vocalist Joe Elliott, a fanatic follower of Mott the Hoople and T. Rex, joined the band, bringing the name Deaf Leopard. After a spelling change, the trio, augmented by a now-forgotten drummer, began playing local Sheffield pubs, and within a year they had added guitarist Steve Clark, as well as a new drummer. Later in 1978, the recorded their debut EP Getcha Rocks Off and released it on their own label, Bludgeon Riffola. The EP became a word-of-mouth success, earning airplay on the BBC. The group members were still in their teens.
Following the release of Getcha Rocks Off, Rick Allen was added as the band's permanent drummer, and Def Leppard quickly became the subject of the British music weeklies. Soon, they signed with AC/DC's manager Petter Mensch, who helped them secure a contract with Mercury. On Through the Night, the band's full-length debut, was released in 1980 and instantly became a hit in the U.K., also earning significant airplay in the U.S., where it reached number 51 on the charts. Over the course of the year, Def Leppard relentlessly toured Britain and America, including opening slots for Ozzy Osbourne, Sammy Hagar and Judas Priest. High N' Dry followed in 1981, and it became the group's first platinum album in the U.S., thanks to MTV's strong rotation of "Bringin' on the Heartbreak." MTV would be vital to the band's success in the '80s.
As the band recorded the follow-up to High N' Dry with producer Mutt Lange, Pete Willis was fired from the band for alcoholism, and Phil Collen, a former guitarist for Girl, was hired to replace him. The resulting album, 1983's Pyromania, became an unexpected blockbuster, due not only to Def Leppard's skillful, melodic metal, but also to MTV's relentless airing of "Photograph" and "Rock of Ages." Pyromania went on to sell 10 million copies, establishing Def Leppard as one of the most popular bands in the world. Despite their success, the band was about to enter a trying time for their career. Following an extensive international tour, the group re-entered the studio to record the follow-up, but producer Lange was unavailable, so they began sessions with Jim Steinman, the man responsible for Meat Loaf's Bat Out of Hell. The pairing turned out to be ill-advised, so the group turned to its former engineer, Nigel Green. One month into recording, Rick Allen lost his left arm in a New Year's Eve car accident. The arm was reattached, but it had to be amputated once an infection set in.
Without a drummer, Def Leppard's future looked cloudy, but by the spring of 1985 — just a few months after his accident — Allen began learning to play a custom-made electronic kit assembled for him by Simmons. Soon, the band resumed recording, and within a few months Lange was back on board, but once he joined the team, he judged the existing tapes inferior and had the band begin work all over again. The recording continued throughout 1986, and that summer, the group returned to the stage for the European Monsters of Rock tour. Def Leppard finally completed its fourth album, now titled Hysteria, early in 1987, releasing it that spring to lukewarm reviews; many critics felt that the album compromised Leppard's metal roots for sweet pop flourishes. The record was slow out of the starting gates — "Women," the first single, failed to really take hold. But with the second single, "Animal," Hysteria began to take off. It became the group's first Top 40 hit in the U.K., but more importantly, it began a string of six straight Top 20 hits in the U.S., which also included "Hysteria," "Pour Some Sugar On Me," "Love Bites," "Armageddon It" and "Rocket," the latter of which arrived in 1989, a full two years after the release of Hysteria. During those two years, Def Leppard was unavoidable — they were the kings of high school metal, ruling the pop charts and MTV, and teenagers and bands alike replicated their teased hair and ripped jeans, even when the grimy hard rock of Guns N' Roses took hold in 1988.
Hysteria proved to be the peak of Leppard's popularity, yet their follow-up remained eagerly awaited in the early '90s as the band set to work on the record. During the recording, Steve Clark died from an overdose of alcohol and drugs. Clark had long had a problem with alcohol, and following the Hysteria heyday, the band forced him to take a sabbatical; he did enter rehab, but to no apparent effect. In fact, his abuse was so crippling that Collen had to play the majority of the guitar leads on Hysteria. Following Clark's death, Def Leppard resolved to finish its forthcoming album as a quartet, releasing Adrenalize in the spring of 1992. Adrenalize was greeted with mixed reviews, and even though the album debuted at number one and contained several hit singles, including "Let's Get Rocked," "Have You Ever Needed Someone So Bad" and "Make Love Like a Man," the record was a commercial disappointment in the wake of Pyromania and Hysteria. After the release of Adrenalize, the group added former Whitesnake guitarist Vivian Campbell.
In 1993, Def Leppard released the rarities collection Retro Active, featuring a new single, "Miss You in a Heartbeat," which scraped the lower reaches of the Top 40. Two years later, the group released the greatest hits collection Vault while preparing their sixth album. Slang arrived in the spring of 1996, and while it was more adventurous than its predecessor, it was greeted with indifference, proving that Leppard's heyday had passed, and they were now simply a very popular cult band.
Undaunted, Leppard soldiered on, returning to its patented pop-metal sound for Euphoria, which was released in June of 1999.
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DISCLAIMER: The title URBAN WANDERER as well as the link titles to other blogs are song titles from a jazz band. I used these titles as a gesture of appreciation & gain no financial benefits from this & in no way used to promote my blog. For the real deal, visit their website.
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